Prince William and Kate Middleton’s official social-media account shared photographs of the family attending the 2026 Commonwealth Games in Glasgow on the event’s penultimate day. The post includes a photo of the full Wales family, William, Kate, George, Charlotte, and Louis, walking together from behind through crowds with international flags visible in the background. The Games, hosted in Scotland from July 23 to August 2, feature athletes from Commonwealth nations competing in multiple sports at venues across Glasgow.

The Prince and Princess of Wales have brought their three children to watch some of the final sporting events at the Commonwealth Games in Glasgow. Cheering crowds at the city’s OVO Hydro were treated to exhilarating performances in the netball semi-finals where the family watched New Zealand’s 61-54 win over England.

Known as the Duke and Duchess of Rothesay while in Scotland, the couple also spent time meeting athletes, staff and volunteers during a slightly blustery visit to the venue on the River Clyde.

BBC News

Copycat Framing, Same Old Double Standard

The timing is hard to ignore. Just days after Meghan Sussex shared a family photograph taken from behind at Althorp, the Wales social media team published a remarkably similar image of William, Kate and their children walking away from the camera. On its own, the composition would be unremarkable. In context, however, it looks like another attempt to borrow the Sussexes’ visual language.

The difference is that Meghan often uses photographs from behind to protect Archie and Lilibet’s privacy. William and Kate regularly publish clear images of their children’s faces, so there is no obvious privacy reason for adopting the same framing. Their history with this kind of emotional PR is a matter of public record: in 2021, they released cards from George, Charlotte and Louis addressed to their “Granny Diana” through the Kensington Palace press office, turning private grief into a PR opportunity.

That makes the Waleses’ choice feel calculated, particularly after sections of the British press spent a week mocking Meghan’s carefully controlled family photographs as staged or attention-seeking.

Curated Family Imagery Gets a Royal Double Standard

It also exposes the familiar double standard. When Meghan curates her own family imagery, commentators call it performative. When the Waleses release equally managed photographs, the same approach is presented as warm, natural and relatable. The royal communications team appears happy to replicate the aesthetic while relying on the press to pretend it has never seen it before.

The image itself says very little about the event. Without the caption, viewers are simply looking at five people walking away from the camera. It is another example of the Waleses leaning heavily on family imagery to generate engagement rather than allowing their public work to carry the post.

Their presentation of the children also continues to feel unusually formal. Even at supposedly relaxed appearances, the styling often resembles a carefully arranged period portrait rather than an ordinary family outing. Compared with the children of other European royal families, who are frequently dressed in contemporary, age-appropriate clothes, the family’s styling can seem rooted in an outdated model of royal respectability.

When the Same Choices Are Judged by Different Standards

Kate’s clothing adds another layer of irony. She wore a Ralph Lauren Collection jacket, while George and Louis reportedly also wore Ralph Lauren. There is nothing wrong with the family wearing American fashion, but the press repeatedly politicises Meghan’s clothing choices while Kate’s similar selections pass without scrutiny.

None of this means that William and Kate should not post family photographs. The issue is the press hypocrisy surrounding them. Commentators condemn Meghan for sharing a limited selection of images on her own terms, yet spare the Waleses when they use similar poses, styling and social-media strategies. Once again, the problem is not the photograph. It is the press pretending that identical behaviour means something entirely different depending on which woman is doing it.


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